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Cinque, the Amistad Hero,
Was Himself a Slave-Trader
For 20 interminable minutes in "Amistad," Steven
Spielberg lingers over scenes of whites torturing black slaves
with the lurid attention of a pornographer. The rest of the
film--the fine courtroom oratory, the black & white solidarity,
abolitionist "idealism"--is all window-dressing
to persuade the liberal intellectuals in the theatre audience
to feel good about Spielberg's anti-white horrorshow.
But the core message of "Amistad"
can be
summed up in two words from the ghetto: Hate
Whitey. |
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With Amistad, Steven Spielberg, hailed
as a latter-day secular Jewish saint, has set the cause of
harmonious race relations back decades.
He perpetrated a similar ruse in "Schindler's
List." His stratagem in that flick was to demonize the
German people but to do so within the framework of a humanist
gloss. So the putative hero, Schindler, is a German and nominally,
a Christian.
From there, Spielberg was able to mount
a demonic stereotype that no one but a Jew could get away
with in these hyper-sensitive, "human rights" times.
Spielberg stereotyped the entire German army--every one, to
a man--as black-jacketed minions of Satan.
Amistad is equally pathological. If we
shed the window-dressing, it's a sado-masochist ritual. Sadistic
whites torture noble blacks. Noble blacks retaliate, and we
watch them dismember trembling and quivering white villains
who are shown on their knees begging for mercy.
An honest film about slavery is needed,
but Spielberg will never be the one to furnish it. Such a
film would entail three components, all of them forming the
critical element missing from Amistad--context.
1. Cameras would detail the horrors of
the black-on-black slave trade on the Dark Continent itself,
where black chiefs captured, shackled, tormented and sometimes
massacred their fellow Africans. The survivors of this terrible
ordeal were sold to the Europeans.
2. Cameras wouild detail the horrors
of the white on white slave trade emanating from Britain.
Court historians like to pretend that the phenomenon of the
"press gang" (armed men who kidnapped whites by
force) was chiefly an activity of the British navy. In fact,
the naval press gang was made possible by the precedent established
by gangs of 17th century kidnappers (originally called "kid
nabbers") who stole ("nabbed") children (kids)
by guile or with a blow on the head, for shipment to the colonies
for sale as slave labor. The very word kidnapping has its
origin in this white enslavement.
In the 18th and 19th centuries, whites
were whipped to death in the Continental Army and the US Navy
( where the lethal practice was known as "flogging through
the fleet" ). This was an age of
cruelty and to suggest that only blacks experienced
cruel treatment or that they were singled out for it, is the
sort of subversive mendacity that can only heighten black
racial paranoia.
3. Where in 19th
century Africa could a slave receive the kind of hearing that
white Christians gave Joseph Cinque and his little band?
Ours was an extraordinary civilization, deeply flawed, but
incomparably just and humane compared
with what prevailed in Asia and Africa at the time.
Moreover, Spielberg's Amistad hoax is
defeated by a solitary historical fact:
Joseph Cinque was himself a slave trader, selling his fellow
blacks into this horror after he himself was set
free by a US court.
Amistad producer Debbie Allen calls this
destabilizing fact a "rumor." She'd better. If the
thinking public, black and white, discover that "noble"
Cinque later sold his own people in the very manner he condemned,
then there will be a second mutiny, this time against Spielberg
and his shameless hoaxing.
Here is Samuel Eliot Morrison, one of the
most distinguished of American historians, writing in his
"Oxford History of the American People," (New York:
Oxford Univeristy Press, 1965), p. 520:
"The most famous case involving slavery,
until eclipsed by Dred Scott's, was that of the Amistad in
1839. She was a Spanish slave ship carrying 53 newly imported
Negroes who were being moved from Havana to another Cuban
port. Under the leadership of an upstanding Negro named Cinqué,
they mutinied and killed captain and crew. Then, ignorant
of navigation, they had to rely on a white man whom they had
spared to sail the ship.
"He stealthily steered north, the
Amistad was picked up off Long Island by a United States warship,
taken into New Haven, and with her cargo placed in charge
of the federal marshal. Then what a legal hassle! Spain demanded
that the slaves be given up to be tried for piracy, and President
Van Buren attempted to do so but did not quite dare.
"Lewis Tappan and Roger Sherman Baldwin,
a Connecticut abolitionist, undertook to free them by legal
process, and the case was appealed to the Supreme Court. John
Quincy Adams, persuaded to act as their attorney, argued that
the Negroes be freed, on the ground that the slave trade was
illegal both by American and Spanish law, and that mankind
had a natural right to freedom.
"The court with a majority of Southerners,
was so impressed by the old statesman's eloquence that it
ordered Cinqué and the other Negroes set free, and
they were returned to Africa. The ironic epilogue is that
Cinqué, once home, set himself up as a slave trader."
(End quotation from historian Samuel Eliot
Morrison)
Any time German-Americans or white Southerners
try to advance a truthful historical thesis that happens to
be revisionist we are wrongly smeared as being "just
like Nazi propagandist Joseph Goebbels."
Now that we know Hollywood director Steven
Spielberg is advancing fraud in Amistad and calling it history,
he ought to be rightly compared with another highly skilled
Jewish illusionist, next to whom "Jupp" was a paragon
of veracity.
| Spielberg's Amistad movie
is reminiscent of nothing less than the poisonous Communist
lies of Stalin's propagandist, Ilya
Ehrenburg. |
 |
--Michael A. Hoffman II Copyright©1997
Hoffman's illustrated, 137 pp. paperback history book, "They
Were White and They Were Slaves: The Untold History of the
Enslavement of Whites in Early America," is an ideal
antidote to "Amistad mania."
$9.95 single copy. Two for $18. Three for
$25. Plus shipping.
Book rate shipping: $2.00 first book. 75¢
each additional book. Priority (first class) shipping: Add
$5.00 Overseas add 30% in US funds/bank. Orders accompanied
by cash and money orders shipped immediately. Personal checks
must clear the bank before books will ship.
Order from: Independent History & Research,
Box 849, Coeur d'Alene, Idaho 83816
Hoffman is available to debate, on talk
radio or online, the subject of white vs. black enslavement
in early America. Producers may mailto:hoffman@hoffman-info.comfor scheduling.
To view "Black"
novelist Barbara Chase-Riboud's lawsuit against Spielberg
concerning his theft of her thunder (and
her made-up story), locate Chase-Riboud v. Dreamworks,
Inc. at: http://www.law.cornell.edu/amistad/complaint.html
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